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“Color is an unfixed property that is influenced by light, context, and the perception of the beholder. The notion that color is something that cannot be proven, given the relativity of its shifting nature, is fascinating. Albers made color live; through simplistic abstractions he impressed upon the viewer the action of color, the vibrations and manifestations of color fields that are activated by a kind of meditative, pointed focus. If color is impacted by context and is itself active, how does it exist as an object, a thing? The Thingness of Color is a bright, playful investigation of the object-hood of color. Each of the artists invited to participate in the exhibition address color as a physical entity, whether literally shaping space with color, or working with color as shape.
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“Armed conflict leads to unique forms of expression that pervade contemporary culture in myriad ways both visible and invisible, tangible and abstract. Deciding on objects and images that were originally intended for use by various institutions or political movements and that later experienced a re-appropriation by larger society, we considered how they came to occupy a different meaning in daily life. They are: (1) Transcript of the Milosevic war crimes trial at The Hague, (2) Balaclava face mask, adopted as a symbol of the Zapatista Army of National Liberation, (3) US Army recruitment video game, and (4) North Korean Hell March video and the ensuing discussion posted on YouTube.
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The NARS (New York Art Residency & Studio) Foundation is pleased to present a group exhibition of New York‐based Asian artists, featuring a site‐specific installation and drawings by Haeri Yoo; paintings by Jana Benitez and Zhang Yu; an oil painting installation by Taku Saito; and a video by Cao Yi.
Each of the works in WITHIN YOU WITHOUT YOU is a kind of self‐portrait that investigates the essential connection between the self and society; the dynamic is played out and transformed in the connection of each work to the others and to the exhibition as a whole.
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"Nue York: Self-Portraits of a Bare Urban Citizen," a solo exhibition of works by Erica Simone will run at the Dash Gallery from April 14 to April 28, 2011. Opening: April 14th, 2011 from 7pm to 10pm @ The Dash Gallery, 172 Duane Street, 10013 NYC Approximately 20 pieces from Simone, a contemporary NYC and Paris-based photographer, show the artist exposed in various spots in the city, crossing boroughs, above-ground spaces, and the underground. The artist’s nakedness comments on the social uninterpretability of the bared body and the (im)possibility of a naked existence. | | |
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“An ambulance appears in the middle of the night, carting off a woman who claims she is healthy. Her husband sets off on a surreal odyssey through a vast hospital. Epona’s Labyrinth follows his descent into a Kafkaesque network of constant surveillance, sexual deviance, addictions and delusion. The South Wing teams up with Japanese multimedia collective, Nibroll to mount this erotic, original play. A nightmarish vision of modern medicine and life unravels through stark, neo-expressionist staging and striking video design.”
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“This is a perfect opportunity for an audience to see the genesis of the Marilyn Minter paintings that took the world by storm in the 2006 Whitney Biennial. Minter, an overnight sensation (after thirty plus years of showing in New York), has been a mainstay of the downtown scene and this triumphant return to her roots is appropriately taking place in SoHo. This exhibition will present paintings from two bodies of work: the 1986-87 series Big Girls/Little Girls, built from imagery with an almost journalistic remove, alongside works from her 1989 Porn Grids, which capture women and men engaged in what the porn industry refers to as “money shots.”
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Carlos Slim, the world's richest man, today opens the Soumaya Museum in Mexico City, which will house his mind-blowing collection of art. Juan Carretero visits
It was no small party in Mexico City the other evening. What else would you expect when the host is Carlos Slim Helu, the richest man in the world by a wider margin than ever according to the latest Forbes billionaires list – that would be $74bn in his account – and the occasion is the inauguration of a new museum to display his personal art collection. | | |
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“Speculative Features,” curated by Regine Basha for SculptureCenter, will be on exhibit at the Lexington Avenue offices of Bloomberg, the financial data giant. The exhibit features the work of four sculptors that, in conjunction, address the complicated “futurological” nexus of economics, the growth of information technology, politics, and pop culture. The exhibition’s thesis statement reads: “Email spam solves the global economic crisis. Honey becomes a future currency. Cities are built through Second Life. Thought patterns project into space.”
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| “What happens when pretend politicians pretend to be terrorists reports the deleterious effect on Muslim girls after local politicians use “dirty tricks” to scapegoat Muslims in order to gain votes. In a brightly-colored passage, young girls, now afraid to wear scarves, search for their identities in school lockers. Turned flat, the lockers could also be traps. With the Kings of Werribee: only the poor have the luxury of being bored, Hayes chronicles a brutal hate crime committed by impoverished teen-agers who became known as ‘The Kings of Werribee’ and riffs on the definition of ‘king’ in today’s welfare state. | | |
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This season, the Brooklyn Museum acquired an important, paradigm-shifting oil painting by Italian painter Agostino Brunias. The piece, entitled “Free Women of Color with their Children and Servants in a Landscape,” depicts women of mixed race on the Caribbean island of Dominica, which changed hands multiple times between the powers of Britain and France during the colonial period. “The painting depicts two richly dressed mixed-race women, one of whom was possibly the wife of the artist’s patron. | | |
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| 8th Annual “Erasing Borders Exhibition of Contemporary Indian Art” Kicks off During Asian Contemporary Art Week (New York, NY – February 10, 2011) The Indo-American Arts Council’s 8th Annual Erasing Borders Exhibition of Contemporary Indian Art of the Diaspora features work by 43 artists whose origins can be traced to the Indian subcontinent. This group of multinational and intergenerational artists, chosen by curator Vijay Kumar, reflects a broad range of life experiences and aesthetic values. The artists interpret diverse subject matter—figurative, abstract and conceptual—in a variety of media, including painting, drawing, printmaking, photography, video, sculpture and installation. The resulting works often meld Indian and Western ideas about color, form and subject. This traveling exhibition is presented as part of Asian Contemporary Art Week 2011 and the opening reception at the Queens Museum of Art is scheduled for Sunday, March 27, 2011, from 2 to 5 p.m. Press Preview will begin at 1 p.m. | | |
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When a small group of German gallery owners organized the first Cologne art fair in 1967, they aimed to establish a new art centre — at least temporarily. Their long-term goal was to promote the creation of art in Germany — in other words, young German artists — and to position them in the international art world so as to attract a new group of collectors. As we now know, they achieved all of these goals to an extent they could hardly have imagined back then. When the 45th ART COLOGNE is held from 13th to 17th April 2011, approximately 190 galleries from 24 countries will be using the international art market in Cologne to present a wealth of modern and contemporary art. | | |
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