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The much-celebrated sheep Dolly, the first mammal to be cloned and to live the experience, brought the process of cloning out of the scientific closet and into the open battle field of dismay and controversy. |
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The "language" of new media - or, more precisely, numerous separate "languages" - are always hybrids, incorporating memories, expertise, and techniques of already ... |
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Death to the Fascist Insect that Preys on the Life of the People makes you feel like political art is alive and well. |
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Picture this: You are in a huge, gutted and Spartan church in Brooklyn NY, the workshop of Chico MacMurtrie and the Amorphic Robot Works. |
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From June 3rd to June 19th the Chelsea Art Museum had a Digital Art show, presented by Studio IMC. |
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Some artists burst then fall. Some burst and persist. |
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Anthony Caro: Quest for the New Sculpture. |
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The exhibition Malevich in Poland, organized by the reputable Arsenal Gallery in Bialystok, aroused considerable interest long before its opening. |
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Remember the first time you imagined Alice falling down, down, down the rabbit hole? |
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Field of Depth: Landscape as Metaphor in Emerging Photography, features the work of 14 international emerging photographers who approach the "landscape" as a place for social commentary and debate. |
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PlanetPaul draws Manhattan into its gravitational field when Paul du Toit, a rangy, affable South African artist who could be a movie stand-in for Ed Harris playing Jackson Pollock (one of the artist's heroes), beautifully installs... |
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Thomas Paine would have liked James De La Vega.
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It is certainly understandable why Carmen Gimenez, the curator of the Constantin Brancusi show at the Guggenheim Museum (1071 Fifth Avenue. |
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I have a crush on the work of Yumiko Kayukawa. |
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Navel, after navel, after navel lines the walls of the rooms at Tribes Gallery, some 70 digital images in all. |
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