analytics
January 2003
DREAM: Multi-Media Works by Anja Mohn and Christiane Wetzel - by Erik LaPrade
From November 5 to December 19, 2002, the Goethe-Institut in New York exhibited a two-person exhibition of multi-media works.
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The Rocks of Ages: Christina Mamakos and the giant boulders of Mykonos - by Thomas Girst
What is an artist to do, stuck in a tiny one-bedroom/studio on 11th Street between Broadway and Fifth Avenue with bigger spaces in Williamsburg or the Lower East Side no longer an affordable alternative?
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The Phallic Wars of Carroll Dunham - by Matthew Bourbon
Retrospectives are cheap fun. Following the hit parade of an artist’s production is its own form of entertainment.
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Saul Chernick: From Banality and Back to Humanity in the 21st-Century - by Jill Conner
Despite the inclusive nature that contemporary Third Wave feminism has tried to foster with respect to sexual orientation...
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Amadeo Modigliani: The Prince Of Montparnasse - by Ante Glibota
"Cara Italia, cara" (Dear, dear Italy), were the last words spoken by Modigliani, as he died in exile in Paris, overwhelmed by poverty, sickness, and the misfortunes of life.
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Bernard Labadie’s 9/11 Requiem Mass of Hope - by Astrid Brunner
To praise Canadian conductor Bernard Labadie is a bit like carrying water by the pail to the Bay of Fundy.
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In the Age of Excess Post-Haste - by Lee Klein
Traveling up to the CS White Gallery in Portland, Maine the weekend after September 11th last year, the ostensibly realistic watercolors of Jules Olitski painted at his lakeside residence in New Hampshire struck exactly the right chord.
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Marlene Tseng Yu - by NY Arts
Marlene Tseng Yu’s exhibition of her dynamic, abstract, nature oriented works was on display at Berliner Kunstprojekt through December 28 of last year. As Robert C. Morgan said in the last issue of this magazine...
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Lance Dehn� - by NY Arts
Lance Dehn� will be showing photoraphic work in the exhibition taking pictures at Berliner Kunstprojekt in January of this year.
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Celebrate John Cage - by L. Brandon Krall
"Not only had the music of our time ceased to resemble that of yesterday, but, moreover, the category of music itself, the definition of this art form, has been overthrown...". Daniel Charles
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Berni Searle - by NY Arts
Berni Searle who recently exhibited at Gallery Seippel in Cologne comments on her work:
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Re-presenting and Recycling ‘Commercial Art’.Re-presenting and Recycling ‘Commercial Art’. -
The current exhibition of Jean Baptiste Mondino’s photography at Galleria Carla Sozzani in Milan follows the recent Testino exhibition at the Piazza Reale; art rooted in publicity and fashion.
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"Umbria Mystica" and the New Renaissance of Living Art in Italy - by Lori Nozick
For the past several months I have been living in central Italy in an exceptionally rich art/historical/cultural/ architectural/academic environment working both an artist and as a professor of sculpture ...
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Baby, Baby, Where Did Our Love Go? – A Stroll Through Baby Bergamont in LA - by James Scarborough
Critical apparatus? Theoretical scaffolding?
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Jean Miotte Dances - by Donald Kuspit
The musical metaphor for painting has been familiar since Kandinsky, but the dance metaphor is new, and demands more of painting...
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