Rebecca Kerlin combines archaic and modern media to examine points of influence and tension between cultural evolution, tradition and the individual perspective. In the “Constructions” series, Kerlin manufactures urban and suburban scenes from digital photographic prints and oil paint. The photographs are loosely joined in tessellations of multiple viewpoints and repeated imagery; oil paint unifies the compositions within a framework, which both informs and is constrained by the photographic structure. The photographs are unmodified artifacts of the image capture and printing processes, the oil palette corresponds to the printer ink tray and the panels are fabricated of construction materials, used as found.

www.kerlinstudio.com

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