Each painter has his own world that he expresses in his style and according to certain imagery. In the case of Matteo, this world takes inspiration from human anatomy and above all from the ambiguous context of the human face, which he uses as a material grammar to be developed into different images. For this reason, his way of painting is more an analysis of the object represented than an expression of the artist's self, and it leads to an essential transcription of a living being inside the frame of his portrait.