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Anyone following the long career of New Yorker Matthew Blackwell is familiar with the artist’s political and social paintings cast with farmers, fools, clowns, coaches, red bohemians, bears, donkeys, goats, friends, heros, girls, ass kickers, mystics, v-8 engines, Greek gods, Rastas, cats, friends, Jesus, saints, and sinners. A recent exhibit at Edward Thorp in New York, "Tour and Trance," revisited some of those characters in 23 paintings that reaffirm Blackwell as a Brechtian absurdist let loose with a paintbrush, in the spirit of Bay Area painter Joan Brown.
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